Lettering

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With my “Bottoms Up” post a couple weeks ago, there was a comment/question about what I use to do the lettering and date.  I thought I’d elaborate more on the answer in this post.

In the photo above, I’m using the grip and knife with which I do just about all small lettering and incised decoration, especially on spoon handles and bowl bottoms.  Whether for the lines of a letter or a tree branch, the method consists of making two slanted cuts that meet at the bottom to form a v-cut.  Sometimes I will vary the grip a little, raising the blade more for tighter curves.  Regardless, I always pull the blade rather than push it.  I use the movement of my shoulders rather than fingers to do the work, and the spoon moves as much as the knife.  They are like dance partners.

Other knives will work as well, pocket or otherwise.  I think the key is the slight curve at the tip of the cutting edge.  This allows the blade to track more smoothly and ease out of cuts.  I like the pocketknife because it fits right in to the outer web of my thumb and forefinger.  My knife is 3 1/2″ long closed and 5 1/4″ long with the pen blade open.  Plus, it is always right there in my pocket.  The blade will not be sharp enough new.  I reduce the bevel angle to a very fine edge, and strop it.

Here are a few examples of incised decoration and lettering I’ve done with that same knife.  Click on the photos for an enlarged view.

2012 spoon handle basketweave  2012 Spoon maple w chip carved green handle  2014 Plumwood spoon handle - tree  L edie spoon  2012 ...where my own. poem spoon

IMG_4426For lettering that is a bit larger, I’ve been messing around with an adjusted blade in a utility knife.  I ground a shallow curve into the thin blade then sharpened it (see the photo to the left).  I can put more “oomph” behind this blade.  I’ve included photos of a bench (elm seat, oak legs) that I made last year with the incised carving on the bottom done with the adapted utility knife.

IMG_2944  IMG_2943  IMG_2934  IMG_2942

oc bench arms detailFor larger and/or more formal lettering, I usual use traditional carving chisels. Chris Pye wrote an excellent book on such lettercarving in wood.

The more I learn the more I realize how little I know.  In our age of computer generated, machine cut inscriptions, artful lettering is often overlooked.  This short video of a true letter artist, Martin Wenham, asks us to pause and reconsider.

 

 

 

 

 

 

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11 Responses to Lettering

  1. Ron Sites says:

    Beautiful work David!

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  2. B. J. Parker says:

    David, What’s your process for sharpening your knife? More specifically, the curve of your knife blade.

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  3. Dave Fisher says:

    B.J. — To establish the curve on the utility knife blade, I just held it with pliers to the grinder until it looked like the curve was nice. To hone the thin steel, I went to my diamond stones working through the grits. I usually find it easier to maintain a consistent angle by moving in little circular motions. Pen knife blade is the same — diamond stones, then strop. I don’t think I’ve had that blade back to stones in years. I just strop it occasionally.

    With all of the curves on the tools I use, I don’t use sharpening jigs such as some use for plane irons. When sharpening many types of tools I have the tool in one hand, and the stone in another — taking the stone to the tool rather than the other way around.

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  4. Bill Palmer says:

    Great Posting David. Do you have a method for laying out lettering on to the workpiece?

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    • Dave Fisher says:

      Bill — In some cases, I don’t lay out anything before cutting letters, especially smaller things. Sometimes some interesting things happen when I’m not expecting it. But in most cases, I’ll play around by sketching some ideas on paper, then just write lightly with pencil right onto the wood once I know what I’m going for. For smaller letters, just a general idea marked on the wood, for larger or more formal situations, I’ll be more precise with the drawing. In cases where I’m working on a flat surface, I might get the design pretty exact on paper, rub the back with a pencil, then transfer onto the wood by going over the lines. If the pencil is light and the eraser is good, there is usually no problem with any remaining pencil marks. Most get carved away anyway.

      Liked by 1 person

  5. redbeardsart says:

    Thanks David ,,, i appreciate the sharing of your knowledge and experience,,, mostly ,,, the wisdom of simple ,,, shared resources and sources that add that personal touch to learning for all of us,,, opening more then the door to technique,,, it gives me the encouragement to step through that door and enjoy the doing ,,, in the doing comes the revelations of the possible,,,

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  6. Holly Cory says:

    I love learning when I least expect it. I found your site by accident when I googled “what oil to use on wooden bowls”. I got 8 tree spirit wooden bowls that were never used at a garage sale for $3. I know they aren’t as amazing as yours, but they will be functional. I want to treat them right – so I am going to get some flax seed oil like you suggested. I am also going to show this youtube to my Latin students – they can learn something about art and language as well! Thanks for the unexpected surprise of learning!

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  7. Pingback: A Revelation | A Riving Home

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