Shrink Pots, Paint and Lettering

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If weep you must, then weep; but weep that tears must be, and be

Gentle and grow as, weeping to the ground, the willow tree;

And grace will come, lighting the eyes of heaven, after thee.

Catherine Breese Davis, Be Graced

The shrink pot above is the result of being asked to design and make a shrink pot to feature a portion of a beloved poem.   This pot, as well as a couple others, will let me share some brief thoughts on lettering and painting ideas I’ve been exploring.

The CBD shrink pot above has a square base; as long as the pith was in the middle, the pot walls will shrink around a square as well.  This is the same idea as the rectangular base of the book style shrink pots like the one you can see part way down this post.  After boring a 2″ hole through, I used a long gouge to shape the tapering square hollow of the interior.

The outside was textured with long loose cuts with a wide shallow gouge, then painted with a couple different layers of glazes of thinned artist oil paints.  After carving the willow leaves, I added another layer of thin green, and wiped it off the surface of the rest of the pot.  Then I cut the letters, leaving them the natural color of the aspen wood.

IMG_6717I used a similar technique on this shrink pot to the right.  After painting a very thin, and relatively bright, blue over the pot, I carved the trees and the undulating rim.  Then I painted a thin black over all, wiping the surface completely right after; like applying and wiping off wood stain.  The black pigment was accepted readily by the bare wood of the trees and rim.  However, on the surface that had been painted a bright blue, it only deepened the color of the blue to a sort of twilight blue.

There are many other ways to play around with different color combinations and carving sequences.

Of course, there are still many occasions where I want the character of the wood to speak for itself.  The slide show below shows a cherry shrink pot made by request for a wedding gift.  The couple was married in the mountains of Indonesia, and the words refer to how the couple met.

This slideshow requires JavaScript.

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Sharpen your knife and make some chips.

 

 

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This entry was posted in Lettering, paint, patterns, quotes and excerpts, shrink box, Uncategorized and tagged , , . Bookmark the permalink.

16 Responses to Shrink Pots, Paint and Lettering

  1. Linda Davies says:

    Wow. Just WOW. ❤

    Liked by 1 person

  2. nrhiller says:

    The beauty and excellence of your work defy my vocabulary. Suffice it to say that seeing your work brings joy to my day.

    Liked by 1 person

  3. Tone says:

    Unscrupulous new owners at work have sapped my will but not my desire to carve lately. Your latest work is a most welcome reminder, inspiration and pick-me-up.

    Lovely poem. Calligraphy seems under appreciated in the west. The Japanese and Chinese have long appreciated it as art. Carving it though, gives it the prominence it deserves. Love your carved trees, always, and oil paints too. 😉

    I found some small, paint-splattered, old gouges, 2 nice old saws & a small, minor brand block plane at recent car-boot sales. I enjoy restoring & sharpening them but can’t face it currently, more pressing matters to deal with first.

    Like

  4. David,
    The colors in your work are beautifully vibrant. Are the oil paints standard artists’ oils? Do you thin the oil paints with the boiled linseed oil available at big box stores?
    Thanks for continuing your blog despite the popularity of Instagram. I appreciate the detail you provide.
    Regards, Michael

    Like

    • Dave Fisher says:

      Thanks, Michael. Just standard artists’ oils from the aluminum tubes, so just a mix of linseed oil and pigment. I have a small selection in a mix of various brands. I thin with raw cold-pressed linseed oil and sometimes a bit of citrus solvent. I don’t know what I’m doing so I just mess around until it seems right and gives me the effect I’m after. Lots of that-didn’t-work moments, but experiments can be done with just a tiny bit of paint, so there’s not much waste.

      Dry time can be a few days depending on the consistency of the paint and the color. As with pure oil, I often use heat to speed that up a bit — whether in the sun, by the wood stove, or in my small light bulb kiln.

      Like

  5. Arthur Willey says:

    David- give me a bare-bones description of paint types, consistency of the thinned paint, etc.
    Art

    Like

    • Dave Fisher says:

      Art, see my reply to Michael above for the first part of your question. As far as consistency, it varies greatly from oil with a little bit of paint to a lot of paint with a little oil. Just depends on what I’m trying to do, how much wood grain I want to show through, etc. I hope for the best and sometimes I’m pleasantly surprised.

      Like

  6. Scott Thomas says:

    Beautiful Dave. I really like the painted version, but for me, it’s hard to beat the natural cherry. I’m sure the lucky couple will be forever grateful to you and the requester.

    Liked by 1 person

  7. Scott Kinsey says:

    Brother Thomas, battling a fit of dissatisfaction, was admonished by a master….. “Just work.”
    You go, Dave.

    Like

    • Dave Fisher says:

      Love the anecdote, Scott. Thanks. I’ll strive for that. Throwing a few projects into one post inadvertently made me look more productive than I am!

      Hope the water has cleared for you down there and things are getting back to normal.

      Like

      • Scott Kinsey says:

        Dave, you are a living example of what happens when one takes the advice offered to Brother Thomas to heart. Like you said, “Sharpen your knife and make some chips”.

        Like

  8. hiscarpentry says:

    Hi David,

    Can you give some lettering design resources? I know you once mentioned that stone carving books have a lot of design inspiration.

    Like

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